Netflix France ends free 30 day trial membership period February 2023

Netflix has no longer the 30 days trial of free use. Multinational companies no longer offer this trial period to start a discovery services before the final payment February 2023.

Netflix

For Netflix, this is a page turned as competition intensifies. Indeed, it is no longer possible to discover the platform with a Netflix 30-day free trial. This means that you now have to pay when you sign up to watch much of what Netflix offers.
Keep in mind that there are three subscription options: the basic version is € 7.99 (one screen, HD quality), the standard version is € 11.99 (two screens, Full HD quality), and the premium version is € 15.99 (four screens) screen, 4K HDR quality). Please note that this is the most expensive code option and it is selected by default when registering. If you want to pay less, don’t be fooled.

More free periods for NETFLIX

Disney + is scheduled to land in France on April 24th. The price is very attractive (6.99 Euros per month or 69.99 Euros per year), and the trial period is 3 months. 7 days it actually symbolizes the development of Netflix strategy, and this development cannot be completely free. So everything shows that multinational companies will from time to time highlight their services by making content accessible to everyone.
Recently, we saw this development when Netflix France decided to play movies for free to all the boys I love. In a sense, this move makes sense, and as a result, the sequel-To all boys: PS I always love you. To view it, you must subscribe. At the end of last year, we still remember that the animated movie “Klaus” has been released for 48 hours.
Among Netflix’s main competitors, we noticed:

  • Amazon Prime Video has a 30-day trial period
  • Apple TV + has a 7-day trial period (or even one year for users buying the latest Apple products)
  • OCS (Orange Cinema Series) offers a one-month free trial.

How much does DAZN cost in Canada? Subscription Price, free trial offer, payment methods 2022

How much does DAZN cost in Canada? Subscription cost, free-trial offer, payment methods?

DAZN is a revolutionary sports streaming service that features some of the biggest leagues in the world. With a subscription, fans in Canada can watch the NFL, Premier League, Serie A, Champions League, Europa League, MLS, WTA tennis and much more either at home or on the go.
In addition the live sports, DAZN also provides the NFL Network and MLB Network, and original shows such as NFL “Rookie Diaries” and “Saturday Fight Live.”
The subscription offers access to a great live sports offering, with the ability to play, pause or revert to live and demand events.
Here is everything you need to know about the price of DAZN, the free trial period, and the tools you can watch.

How much does DAZN cost?

1 month registration: $ 20 CAD
One-year registration: $ 150 CAD
DAZN offers a free 30-day trial after which registration costs $ 20 per month. You can sign up for a one-year subscription for $ 150.
Subscriptions give users access to the entire catalog of live and demand content with the various leagues and games provided, as well as the original program.
Can I watch DAZN for free?
Anyone who signs can watch DAZN for free during the 30-day trial period. Users can cancel their free trial at any time for the first 30 days.
During the free trial, all live DAZN games and the original program are available, including all Premier and NFL matches.

How do I pay for DAZN?

There are several ways to pay DAZN registrars in Canada:
Credit card
Debit card
PayPal
Apple payment within the program
How do I delete or suspend my account?
DAZN users can withdraw their subscription at any time in the My DAZN Account section. Users who signed with Apple and Amazon can easily sign up for DAZN by following the instructions on the DAZN website for more information.

What sports are on DAZN?

In Canada, among the live sports DAZN offers:

  • NFL Game Pass, with access to every regular-season and playoff game, and NFL RedZone
  • NFL Network
  • Premier League games
  • Serie A games
  • Champions League games
  • Europa League games
  • MLS games
  • MLB Network
  • WTA Tennis
  • Boxing and MMA

Storytel continues to expand in Europe, South America and Asia February 2023

Since the end of 2018, the Swedish company Storytel, specialized in audio books, has promised to launch in at least four new markets during the year 2019. The countries concerned by these launches are Germany, Brazil, South Korea and Thailand.

Storytel

Storytel versions are currently available in 16 countries: Bulgaria, Denmark, Finland, Iceland, India, Italy, Mexico, Netherlands, Norway, Poland, Russia, Singapore, Spain, Sweden, Turkey and United Arab Emirates.
If Thailand agrees to launch audiobooks for Swedish companies by the end of the year like Brazil, Germany and South Korea, Storytel will be integrated into twenty global markets as of 2022.

South Korea’s annual market size reaches 224 million euros

Please note that the Korean audio and e-book market now earns approximately US $ 250 million (EUR 224 million) annually. Therefore, since it was recently announced in a press release on May 24, 2019, Storytel has something to celebrate, and the report states that South Korea should sell its various audio books by the end of the year:

Storytel is pleased to announce its intention to launch services in South Korea by the end of 2019. Storytel is part of its efforts to provide customers with the best audio and e-book experience, the app will be available in Korean
Storytel has established a subsidiary in Seoul, South Korea, and is responsible for producing audiobooks for the Korean market. When the service comes online at the end of 2019, Storytel plans to provide thousands of original and authorized books in Korean in its global catalog, including about 270,000 audio titles and e-books. In the first year of operation, the focus will be on continuing to build a strong and competitive content library.

In addition, Korea has 48 million Internet users every day (accounting for 90% of the country’s population), and is likely to become one of the most prolific markets in Swedish publishing houses. Hootsuite We Are Social also pointed out in a recent survey that Koreans prefer to be equipped with smartphones rather than televisions (92% and 89%, respectively).

Difficult predictions in Germany and Brazil

As for Germany and Brazil, Storytel should be integrated into their market in the summer of 2019. It is hoped that this Swedish company will frustrate the mixed sales record of audiobooks in the Germanic field. In fact, according to GfK Entertainment, by the first quarter of 2019, sales of digital books (excluding school books and professional books) for the general public will decline by 7.1%.
Storytel must also share the Brazilian audiobook market with the Ubook company founded by Flavio Osso four years ago. According to the latest results reported by Reuters, Brazilian publishers publish 80% to 90% of audiobooks in the country, and have 6 million registered users and a catalog of 15,000 books. Like Storytel, Ubook has operations in multiple countries (a total of 18 countries), including Spain, Germany, and Mexico.

After Singapore and South Korea, Thailand attractions February 2023

The Storytel branch in Singapore began to provide services in April 2019. To better establish its position in Asia, Storytel recently opened an office in South Korea, located in Bangkok, Thailand. The installation of these new regions will allow publishers to better coordinate their expansion in Asia.
Given the recruitment activity on LinkedIn, it is not surprising that Thailand will soon launch the first titles offered by Swedish companies by the end of this year.

10 organizations will be among the most inventive on social media in 2022

Each of these companies—Cameo, Community, Loosid, and Revel—joined Pinterest and MeWe to increase the social network’s popularity.

We’ve been complaining for years that finding a cool new social media app requires going back to the early 2010s. This past year may have finally broken the curse: irresistibly shareable personalized video clips from celebrities and the ability to text chain with your favorite celebrities prove that there’s still opportunity for fresh ideas to go mainstream, even when one corporation owns many big social networks. In addition, 2019 saw the emergence of social shopping as well as the revival of niche networks for groups that don’t fit neatly into a one-size-fits-all category.

CAMEO IS THE FIRST

For developing the “famous faces on demand” platform, which allows fans to purchase personal films from over 30,000 celebrities.
Despite the fact that it was founded in 2017, the Chicago-based firm only made its pop-culture debut this year. The “famous faces on demand” business, which allows users to book celebrities to create customised video shout-outs for anything from birthdays to good luck wishes, prom invites, and marriage proposals, is both a utility for and appears to be the next development of modern celebrity. The number of employees at the company increased from 18 to 135, while the number of celebrities that took part increased from 3,000 to over 20,000 in 2019. Cameo also raised $50 million in Series B funding and expanded globally to the United Kingdom, Australia, and New Zealand.

COMMUNITY is the second item on the list.

For allowing celebrities like Kerry Washington and Jennifer Lopez to contact their fans and receive texts in return.
This text-based social platform, which launched in summer 2019, provides a walled garden for celebrities, artists, and their fans to connect, away from prying eyes of trolls, and provides the stars with more information about their fans—age, location, and so on—than they can get from traditional social platforms like Facebook, Twitter, or Instagram. Community has kept its celebrity and artist roster small thus far, with less than a thousand stars and artists, but it’s a diverse group that includes Ashton Kutcher (also an investor), Kerry Washington, Tony Hawk, Amy Schumer, Paul McCartney, Ninja, and others. “The point is now we don’t have to rely on platforms that share all of our information but don’t provide [artists] the information directly,” Guy Oseary, a star music manager and Kutcher’s Sound Ventures investment partner, told Fast Company. They’re all excellent broadcasting platforms. They are necessary for everyone of us. We all make use of them. They’re fantastic. But [Community] is the platform of the future if I want to have a more meaningful, direct connection.”

PINTEREST is a great place to look for new ways to turn ideas into sales.

The visual social network has grown dramatically in the last year, reaching nearly 335 million monthly active members, a 26 percent rise year over year, outperforming Twitter, LinkedIn, and Facebook. In 2019, its U.S. audience grew by 8%, while its overseas audience grew by 35%. In terms of revenue, the company made $400 million in the fourth quarter of 2019, up 46 percent year over year, bringing the total for the year to $1.14 billion. Pinterest debuted Shop The Look advertisements in September 2019, which allow advertisers to showcase numerous products in a single ad, making it easier for customers to purchase more items from a single image. The company then released Try On, powered by Lens, in February 2023, which allows customers to digitally try makeup from brands like as Estée Lauder, Sephora, bareMinerals, Neutrogena, and L’Oreal. That should be pinned.

LINKTREE For transforming Instagram’s “link in bio” into a slick menu for sharing articles, merch, or paid partnerships.

This Australian startup began in 2016 as a method to clean out the “link in bio” clutter on Instagram, which was created by brands and others attempting to connect their followers to their products. It now connects your social followers to your whole online ecosystem, using a single link to guide them to e-commerce or other relevant information for any business or brand. Over the past year, Linktree has averaged 10,000 signups per day, increasing its active users by 200 percent to more than three million, with Twitch, YouTube, and Pinterest accounting for more than 40% of traffic. Chance the Rapper used it as part of his Lyft relationship to debut his album The Big Day in July 2019, providing fans the opportunity to download it for free or give to the Chicago Public Schools through SocialWorks, all from within the Lyft app.

LOOSID is a website that connects sober people.

Loosid is a digital sober community that makes dating, traveling, and socializing easier for folks who don’t drink alcohol. It was founded in 2018. When nonalcoholic beverages are worth $7 billion more than they were four years ago, and zero- or low-alcohol beer is the fifth-fastest-growing beer kind, Loosid is capitalizing on the opportunities. Boozeless Guides, an inside look at local restaurants and pubs across the United States that provide alcohol-free drink options, debuted in early 2022.
The seventh annual innovation festival has been announced by Fast Company.
EVENTS FOR FAST COMPANIES
Fast Company has announced the outlines of their seventh annual innovation festival, dubbed “The Rebuilders,” which will look into ways to reinvent business, community, and culture in the aftermath of the epidemic.

FLIGHTHOUSE, NO. 6

For generating over 2 billion monthly views and 22 million followers on its TikTok talk show
Flighthouse was on TikTok when it was still known as Musical.ly, and currently has a monthly viewership of two billion. This year, the channel surpassed the 20-million-follower threshold, up from 16.8 million the year before. As part of its relationship with Republic Records, it debuted a new music-focused, short-form show called “Certified Superfan” on Tik Tok in early 2022. Flighthouse has worked with Billie Eilish and Ariana Grande, but it also helps lesser-known artists gain exposure. Niki’s song “Indigo” became a Top-5 trending song on TikTok thanks to their campaign, which averaged over 100,000 reposts per week.

HOLLER, NO. 7

For making 1 billion animated discussion stickers per day for iMessage, Twitch, and other platforms
The New York-based company rebranded from Emogi to Holler, and took its intelligent AI-powered, animated visual content for messaging apps and expanded to create sticker campaigns for brands like Ikea, Snickers, Bud Light, Fox, and Subway, and took its intelligent AI-powered, animated visual content for messaging apps and expanded to create sticker campaigns for brands like Ikea, Snickers, Bud Light, Fox, and Subway. Simultaneously, it grew to include animated content on platforms like Badoo and Venmo. It increased from a billion messaging interactions per month to a billion per day in 2019.

MEWE is number eight.

For creating the first and only social network without adverts, targeting, or a privacy bill of rights.
Given the company’s numerous issues with privacy, advertising, and user data, anything that seems like the anti-Facebook deserves consideration. MeWe has grown at a 405 percent rate since 2018, and by mid-2019, it had reached five million users and closed a $4.5 million funding round, bringing the company’s total cash raised to $15 million. “MeWe returns the power of the internet back to the people with a platform created for cooperation and privacy,” says Internet pioneer Tim Berners-Lee, who is also a board member.

9. REJOICE FOR ASSISTING WOMEN OVER 50 IN FORMING FRIENDSHIPS

Revel’s goal is to create a nationwide subscription-based network tailored to women over the age of 50, helping them foster new relationships. While most social startups focus on becoming the next flashy digi-bauble of whatever generation is coming next, Revel’s goal is to create a nationwide subscription-based network tailored to women over the age of 50, helping them foster new relationships. It currently has a community of 500 users and has received $2.5 million in funding from Forerunner Ventures. Although age is simply a number, the number of people in a social group that is often overlooked—and the opportunity it represents—is enormous.

PRESIDENTIAL LIBRARY AND MUSEUM OF JFK

For using Twitch to recreate the 50th anniversary of the Apollo 11 lunar landing.
To commemorate the 50th anniversary of President John F. Kennedy’s 1961 “Moonshot” speech, the library collaborated with its marketing agency, Digitas, to create JFK Moonshot, a fully synchronized, augmented-reality app that re-created Apollo 11 in real time, second by second, exactly 50 years later. It also used over 110 hours of Apollo 11 audio broadcasts, fullscreen 3D animations, and live Twitter feeds in the astronauts’ voices to follow the lunar journey on social media in real time. With over 240 million brand impressions, the effort enabled a new generation of Americans learn about space exploration and become interested in it.

Brussels intends to increase the legal responsibility of the Internet giants

Google, Amazon, Facebook, Microsoft

The European Commission wants to amend a directive since 2000 and establish judicial responsibility for online platforms. Brussels especially wants to tighten the frame of the internet giants.

Since 2000 and since European directives on e-commerce, hosting platforms have benefited from adaptive legal regimes. Therefore, when users publish illegal content from the servers of companies that benefit from this status, they are only liable if they do not take immediate action after receiving the report. This text was handed over in France in 2004 for trust in the Digital Economy (LCEN).
However, this framework can be developed in the next few years, and the new European Commission can moderate, adjust and even question the so-called “retrospective” modestly. This seems to imply Thierry Breton, who took over the role of Internal Market Specialist on December 1, 2019, in an interview with Les Echos on January 7. However, he did not say exactly what he intended to do.
The commission’s new heavyweights have a large portfolio, but declared “there is clearly a need to hold the platform to its responsibilities” as it observes that “only five platforms are acceptable”. Or six major participants stored 80% of the Earth ’s data, but did not consider themselves responsible for the use of that data. ”Thierry Breton has no name, but obviously the big US groups are the target .
Thierry Breton argues that in an age of false information, hate news, and illegal content, we must “swiftly strengthen the responsibilities of large platforms.” He added: “The e-commerce directive has been in use for a long time, but the environment and use have changed a lot since its adoption.” Therefore, although no final decision has been made, legal updates are still expected: “I It would be better to do this within the framework of an e-commerce directive, but we will see if we need to go further. ”

Future Digital Services Act

Thierry Breton’s speech is not ubiquitous. When European Commission President Ursula von der Leyen proposed her political policy for 2019-2024, documents made available to the public evoked “new digital services legislation”, “which will strengthen Our responsibility and security in platforms, services and digital products. ”
This work will be carried out in particular by a colleague of Thierry Breton of the Danish Margrethe Vestager, who is in charge of competition matters within the committee. One of his responsibilities is to “direct legal work to improve the responsibility and security rules for digital platforms, services and products within the new digital services legal framework”.
However, these legal developments should be strongly opposed by the giants of the Internet. As reported by the World News, Edima lobbying groups defending the interests of Google, Amazon, Facebook, Twitter, Microsoft, eBay, Airbnb, Apple, Snapchat and Expedia are stepping up discussions: As a result, they are officially willing to host the reform The limited liability is the totem they do not want to be touched.